swag-canada
mautlin:

did-you-kno:

Where there are wolves, there are ravens. Ravens follow wolves around a lot, mostly because they just seem to like them. They aren’t known to follow other predators and they prefer to eat with the wolves instead of alone. Source

ravens get easy food out of the relationship, and wolves get protection; the ravens fly above and alert the wolves to danger. ravens and wolves are also known to play with each other, esp. chasing games. they are both intelligent and playful animals who genuinely enjoy each other’s company. they also understand many of the other’s vocalizations.
i love ravens

mautlin:

did-you-kno:

Where there are wolves, there are ravens. Ravens follow wolves around a lot, mostly because they just seem to like them. They aren’t known to follow other predators and they prefer to eat with the wolves instead of alone. Source

ravens get easy food out of the relationship, and wolves get protection; the ravens fly above and alert the wolves to danger. ravens and wolves are also known to play with each other, esp. chasing games. they are both intelligent and playful animals who genuinely enjoy each other’s company. they also understand many of the other’s vocalizations.

i love ravens

sixpenceee
sixpenceee:

Methods of Death & How They Feel
Drowning: When victims eventually submerge, they hold their breath for as long as possible, typically 30 to 90 seconds. After that, they inhale some water, splutter, cough and inhale more. Survivors say there is a feeling of tearing and a burning sensation in the chest as water goes down into the airway. Then that sort of slips into a feeling of calmness and tranquility. That calmness represents the beginnings of the loss of consciousness from oxygen deprivation, which eventually results in the heart stopping and brain death.
Heart Attack: The most common symptom is chest pain: a tightness, pressure or squeezing, often described as an “elephant on my chest”, which may be lasting or come and go. This is the heart muscle struggling and dying from oxygen deprivation. Pain can radiate to the jaw, throat, back, belly and arms. Other signs and symptoms include shortness of breath, nausea and cold sweats.
Bleeding to Death:  Anyone losing 1.5 litres – either through an external wound or internal bleeding – feels weak, thirsty and anxious, and would be breathing fast. By 2 litres, people experience dizziness, confusion and then eventual unconsciousness.
Fire: Burns inflict immediate and intense pain through stimulation of the pain nerves in the skin. To make matters worse, burns also trigger a rapid inflammatory response, which boosts sensitivity to pain in the injured tissues and surrounding areas.As burn intensities progress, some feeling is lost but not much. 3rd degree burns don’t hurt as much as 2nd degree burns.
Decapitation: Very quick. Consciousness is said to continue for a few seconds after decapitation. It’s thought to be painless. But the separation of the spinal cord and brain may cause severe pain.
Electrocution: Higher currents can produce nearly immediate unconsciousness. The electric chair was designed to produce instant loss of consciousness and painless death, but that’s debatable. It’s been proposed that prisoners could instead be dying from heating of the brain, or perhaps from suffocation due to paralysis of the breathing muscles instead of electrocution itself because the skulls of the wall are a thick and powerful insulator. 
Falling from a height: Another instantaneous death. Survivors of great falls often report the sensation of time slowing down. The natural reaction is to struggle to maintain a feet-first landing, resulting in fractures to the leg bones, lower spinal column and life-threatening broken pelvises. The impact traveling up through the body can also burst the aorta and heart chambers. 
Hanging: The rope puts pressure on the windpipe and the arteries to the brain. This can cause unconsciousness in 10 seconds, but it takes longer if the noose is incorrectly sited. Witnesses of public hangings often reported victims “dancing” in pain at the end of the rope, struggling violently as they asphyxiated. 
Lethal injection: . First comes the anaesthetic thiopental to speed away any feelings of pain, followed by a paralytic agent called pancuronium to stop breathing. Finally potassium chloride is injected, which stops the heart almost instantly. Eyewitnesses have reported inmates convulsing, heaving and attempting to sit up during the procedure, suggesting it’s not always completely effective.
Vacuum (In Outer Space): When the external air pressure suddenly drops, the air in the lungs expands, tearing the fragile gas exchange tissues. This is especially damaging if the victim neglects to exhale prior to decompression or tries to hold their breath. Oxygen begins to escape from the blood and lungs. Human survivors from NASA often report an initial pain, like being hit in the chest, and may remember feeling air escape from their lungs and the inability to inhale. Time to the loss of consciousness was generally less than 15 seconds.
(Source & More Information)

sixpenceee:

Methods of Death & How They Feel

  1. Drowning: When victims eventually submerge, they hold their breath for as long as possible, typically 30 to 90 seconds. After that, they inhale some water, splutter, cough and inhale more. Survivors say there is a feeling of tearing and a burning sensation in the chest as water goes down into the airway. Then that sort of slips into a feeling of calmness and tranquility. That calmness represents the beginnings of the loss of consciousness from oxygen deprivation, which eventually results in the heart stopping and brain death.
  2. Heart Attack: The most common symptom is chest pain: a tightness, pressure or squeezing, often described as an “elephant on my chest”, which may be lasting or come and go. This is the heart muscle struggling and dying from oxygen deprivation. Pain can radiate to the jaw, throat, back, belly and arms. Other signs and symptoms include shortness of breath, nausea and cold sweats.
  3. Bleeding to Death:  Anyone losing 1.5 litres – either through an external wound or internal bleeding – feels weak, thirsty and anxious, and would be breathing fast. By 2 litres, people experience dizziness, confusion and then eventual unconsciousness.
  4. Fire: Burns inflict immediate and intense pain through stimulation of the pain nerves in the skin. To make matters worse, burns also trigger a rapid inflammatory response, which boosts sensitivity to pain in the injured tissues and surrounding areas.As burn intensities progress, some feeling is lost but not much. 3rd degree burns don’t hurt as much as 2nd degree burns.
  5. Decapitation: Very quick. Consciousness is said to continue for a few seconds after decapitation. It’s thought to be painless. But the separation of the spinal cord and brain may cause severe pain.
  6. Electrocution: Higher currents can produce nearly immediate unconsciousness. The electric chair was designed to produce instant loss of consciousness and painless death, but that’s debatable. It’s been proposed that prisoners could instead be dying from heating of the brain, or perhaps from suffocation due to paralysis of the breathing muscles instead of electrocution itself because the skulls of the wall are a thick and powerful insulator. 
  7. Falling from a height: Another instantaneous death. Survivors of great falls often report the sensation of time slowing down. The natural reaction is to struggle to maintain a feet-first landing, resulting in fractures to the leg bones, lower spinal column and life-threatening broken pelvises. The impact traveling up through the body can also burst the aorta and heart chambers. 
  8. Hanging: The rope puts pressure on the windpipe and the arteries to the brain. This can cause unconsciousness in 10 seconds, but it takes longer if the noose is incorrectly sited. Witnesses of public hangings often reported victims “dancing” in pain at the end of the rope, struggling violently as they asphyxiated. 
  9. Lethal injection: . First comes the anaesthetic thiopental to speed away any feelings of pain, followed by a paralytic agent called pancuronium to stop breathing. Finally potassium chloride is injected, which stops the heart almost instantly. Eyewitnesses have reported inmates convulsing, heaving and attempting to sit up during the procedure, suggesting it’s not always completely effective.
  10. Vacuum (In Outer Space): When the external air pressure suddenly drops, the air in the lungs expands, tearing the fragile gas exchange tissues. This is especially damaging if the victim neglects to exhale prior to decompression or tries to hold their breath. Oxygen begins to escape from the blood and lungs. Human survivors from NASA often report an initial pain, like being hit in the chest, and may remember feeling air escape from their lungs and the inability to inhale. Time to the loss of consciousness was generally less than 15 seconds.

(Source & More Information)

strangeparkings
kissesjohnlockandgrell:

rgfellows:

dandraco:

hollyoakhill:

do you ever think about how little Michelangelo cared

All right, everyone, grab a chair and sit back because I’m going to share with you what I learned about Michelangelo and the Sistine Chapel in my Art History Class.
The man NEVER wanted to paint the damn thing. But the pope at the time “forced him to” According to my teacher. Michelangelo hated this man, I MEAN REALLY HATED HIM. So did a majority of people. The pope’s nickname translated literally means “Terrible pope”.
And the working conditions were awful. He had to work on his back with all that paint, which is filled with some toxic shit that gave Michelangelo a limp for the rest of his life. (Also, our teacher made us get on our backs and try drawing with both hands JUST to prove how bad and uncomfortable it is.)
At the time, the ceiling was so high, you could barely see it. You need binoculars to get a good look at what’s up there, by the time people could see the paintings, there was a lot of weird symbolism that Michelangelo hid up there.

This one? The creation of the sun and moon? God is mooning you. And the pope and all others after him prayed under that without knowing.

This one? At the time, dissecting was sacrilegious and everyone found out how behind God was what looked like half a brain. blah blah, science, science, that pissed everyone off.
And also, ALLLLLLL the men and women in the Sistine Chapel are all on fucking steroids. My teacher described the women’s bodies as "Men bodies with boobs slapped on."
And then there is this:

Now this is the back wall. Michelangelo actually wanted to paint this one after he finished the ceiling. (and there was a different pope too, I believe.) However, originally, EVERYONE in that painting was naked. And they didn’t like it. Adam and Eve naked? That’s cool. But Jesus? Now you crossed the line. So the pope at the time hired someone else to censor it and give the important figures clothes. He worked on it for 6 or 9 months before he died.
And then the symbolism in this one is great. Somewhere in the right, there are homosexuals in heaven. (No matter what, the Vatican will say “Those straight men are happy” I’ll get to that in a second), Michelangelo painted himself near Jesus, and the terrible pope is in hell with a snake biting his balls.
And if you were to point ANY of this out to the Vatican, they will deny all of it and claim Michelangelo was a catholic hero. In fact, when they discovered the symbolism around the 60s or 70s, the guy who told the Vatican was kicked out of the Vatican for life.
TL;DR: Michelangelo hated the pope and made the best “fuck you” of all time.

YO. ALL OF THIS^. Michelangelo was hella grumpy all of the time. It was fantastic.
However, as beautiful as this commentary is, I’m gonna make a little correction. The Pope isn’t the one in hell getting his balls bitten; that guy is actually the Papal Minister of Ceremonies a the time, Biagio de Cesena. 
See, when Michelangelo was painting this, as you said, lots of people were uncomfortable with all of the nudity (especially because the Last Judgement [back wall mural] was painted much later when nudity in religious art was even more controversial than before), but the dude who was the angriest was de Cesena. 
He was so angry that he reportedly burst in on Michelangelo while he was working (which is already a big no-no because Michelangelo’s requirements for working were mostly “fuck the hell off and leave me alone or else I quit and I will stab you in the eye with my paintbrush/chisel”.). He then proceeds to tell Michelangelo that this fresco is disgusting and obscene and shame on him etc etc. He also referred to it as “i stui di nudi”, which means “A stew of nudes” which is one of the best descriptions of a thing ever, if you ask me. 
So Michelangelo, probably on the cusp of homicide is like “Thank you for the notes. Now get the fuck out,” and de Cesena reluctantly does. 
Later, he comes to see the finished product and finds that Michelangelo had painted his portrait down in Hell to represent the Minos, King of the Dead. He has the ears of an ass and the above described crotch biting snake:

Upon seeing this and being enraged, de Cesena went to the Pope to demand that it be changed and that Michelangelo be punished. However, the Pope was SO incredibly done dealing with Michelangelo’s snark, tantrums, and general hatred of the world and everyone in it, that he didn’t want to do shit. 
The Pope’s response to him was literally to say “As Pope, I have a lot of influence on Earth and up in Heaven, but I have no jurisdiction in Hell. You’re shit out of luck.” 
And it stayed.
Michelangelo, grade A artist, snark master, and professional dick.


ALSO DING DING HELLO YES READ THIS
SO way back in the renaissance as much as people were learning science and shit and making great improvements in learning how to make people look like real people in art, there was still this big obsession with idealizing the figure. Everyone did it. Like really. Everyone.And so even though Michelangelo made everyone look like a big buff dude that wasn’t always because he just had a special love for drawing dicks,The female form wasn’t considered perfect back then. If you were a goddess or something maybe yeah they might make you look like a lady but Michelangelo wasn’t really into the female form (Despite how fuckin PHENOMENAL his Pieta is)
So when he painted and sculpted women to look more like men it was partially to show off his skill in the masculine form but also it elevated those figures to a higher level of appreciation. Women were still seen as like Eve, especially in the church. So even though they don’t look like women he’s still giving them the same status as a man to make them “better.”

kissesjohnlockandgrell:

rgfellows:

dandraco:

hollyoakhill:

do you ever think about how little Michelangelo cared

All right, everyone, grab a chair and sit back because I’m going to share with you what I learned about Michelangelo and the Sistine Chapel in my Art History Class.

The man NEVER wanted to paint the damn thing. But the pope at the time “forced him to” According to my teacher. Michelangelo hated this man, I MEAN REALLY HATED HIM. So did a majority of people. The pope’s nickname translated literally means “Terrible pope”.

And the working conditions were awful. He had to work on his back with all that paint, which is filled with some toxic shit that gave Michelangelo a limp for the rest of his life.
(Also, our teacher made us get on our backs and try drawing with both hands JUST to prove how bad and uncomfortable it is.)

At the time, the ceiling was so high, you could barely see it. You need binoculars to get a good look at what’s up there, by the time people could see the paintings, there was a lot of weird symbolism that Michelangelo hid up there.

This one? The creation of the sun and moon? God is mooning you. And the pope and all others after him prayed under that without knowing.

This one? At the time, dissecting was sacrilegious and everyone found out how behind God was what looked like half a brain. blah blah, science, science, that pissed everyone off.

And also, ALLLLLLL the men and women in the Sistine Chapel are all on fucking steroids. My teacher described the women’s bodies as "Men bodies with boobs slapped on."

And then there is this:

Now this is the back wall. Michelangelo actually wanted to paint this one after he finished the ceiling. (and there was a different pope too, I believe.) However, originally, EVERYONE in that painting was naked. And they didn’t like it. Adam and Eve naked? That’s cool. But Jesus? Now you crossed the line. So the pope at the time hired someone else to censor it and give the important figures clothes. He worked on it for 6 or 9 months before he died.

And then the symbolism in this one is great. Somewhere in the right, there are homosexuals in heaven. (No matter what, the Vatican will say “Those straight men are happy” I’ll get to that in a second), Michelangelo painted himself near Jesus, and the terrible pope is in hell with a snake biting his balls.

And if you were to point ANY of this out to the Vatican, they will deny all of it and claim Michelangelo was a catholic hero. In fact, when they discovered the symbolism around the 60s or 70s, the guy who told the Vatican was kicked out of the Vatican for life.

TL;DR: Michelangelo hated the pope and made the best “fuck you” of all time.

YO. ALL OF THIS^. Michelangelo was hella grumpy all of the time. It was fantastic.

However, as beautiful as this commentary is, I’m gonna make a little correction. The Pope isn’t the one in hell getting his balls bitten; that guy is actually the Papal Minister of Ceremonies a the time, Biagio de Cesena. 

See, when Michelangelo was painting this, as you said, lots of people were uncomfortable with all of the nudity (especially because the Last Judgement [back wall mural] was painted much later when nudity in religious art was even more controversial than before), but the dude who was the angriest was de Cesena. 

He was so angry that he reportedly burst in on Michelangelo while he was working (which is already a big no-no because Michelangelo’s requirements for working were mostly “fuck the hell off and leave me alone or else I quit and I will stab you in the eye with my paintbrush/chisel”.). He then proceeds to tell Michelangelo that this fresco is disgusting and obscene and shame on him etc etc. He also referred to it as “i stui di nudi”, which means “A stew of nudes” which is one of the best descriptions of a thing ever, if you ask me. 

So Michelangelo, probably on the cusp of homicide is like “Thank you for the notes. Now get the fuck out,” and de Cesena reluctantly does. 

Later, he comes to see the finished product and finds that Michelangelo had painted his portrait down in Hell to represent the Minos, King of the Dead. He has the ears of an ass and the above described crotch biting snake:

image

Upon seeing this and being enraged, de Cesena went to the Pope to demand that it be changed and that Michelangelo be punished. However, the Pope was SO incredibly done dealing with Michelangelo’s snark, tantrums, and general hatred of the world and everyone in it, that he didn’t want to do shit. 

The Pope’s response to him was literally to say “As Pope, I have a lot of influence on Earth and up in Heaven, but I have no jurisdiction in Hell. You’re shit out of luck.” 

And it stayed.

Michelangelo, grade A artist, snark master, and professional dick.

image

ALSO
DING DING HELLO YES READ THIS

SO way back in the renaissance as much as people were learning science and shit and making great improvements in learning how to make people look like real people in art, there was still this big obsession with idealizing the figure. Everyone did it.
Like really. Everyone.
And so even though Michelangelo made everyone look like a big buff dude that wasn’t always because he just had a special love for drawing dicks,
The female form wasn’t considered perfect back then. If you were a goddess or something maybe yeah they might make you look like a lady but Michelangelo wasn’t really into the female form
(Despite how fuckin PHENOMENAL his Pieta is)

So when he painted and sculpted women to look more like men it was partially to show off his skill in the masculine form but also it elevated those figures to a higher level of appreciation. Women were still seen as like Eve, especially in the church. So even though they don’t look like women he’s still giving them the same status as a man to make them “better.”